In 2009, Massimo Pennacchini exhibited at Galleria La Meridiana in Pietrasanta. From 2010 to 2013, Konstanz on Lake Constance hosted his work in Italienische Gegenwartskunst, an exhibition dedicated to a selected group of contemporary Italian artists at the Bürgersaal.
In 2010 he held a solo exhibition at Palazzo Valentini, seat of the Province of Rome, devoted to Argentine tango. A text by Professor Paolo Levi highlighted the artist’s ability to describe human strengths and weaknesses through the metaphor of dance. In the same period he was included in Mondadori’s Catalogo d’Arte Moderna among Italian artists recognised for their artistic activity.
In May 2011 he travelled to Hangzhou, China, to represent Italy with the project Following the Path of Marco Polo. Two works entered the permanent display of the Hangzhou Museum of Contemporary Art. Further exhibitions followed at Fondazione Bevilacqua La Masa in Venice in 2011 and in Hangzhou in 2012.
In 2012 he was invited to exhibit at the Museo della Rocca di Umbertide. Subsequent projects included Chiostro del Bramante in Rome in 2014, Palazzo Sforza Cesarini in Genzano and Palazzo Ruspoli in Nemi in 2015, and SpaziArti gallery in Milan in 2016. That summer he presented the SAILING series dedicated to sailing and regattas in Porto Rotondo.
He later took part in art fairs in Bergamo and Genoa, exhibited in Porto Cervo in collaboration with Fondazione Mazzoleni in 2018, and presented the IDOLI collection in Rome. From 2019 he collaborated with Canova Arte in Costa Smeralda, including Poltu Quatu and Porto Rotondo.
In 2021 he exhibited at Roma Arte in Nuvola and at Palazzo Sforza Cesarini with IDOLI, curated by Marina Cafà. In 2023 his work was shown in Tokyo in the Upper House Style of Art exhibition in collaboration with Lamaroarte, and at the Scuderie Aldobrandini Museum in Frascati in Idoli, vibrazioni temporali.
